Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

Presented by Juilliard’s Collaborative Piano department, these evenings are love letters to the sonata. Emerging in the late Classical era and flourishing in the Romantic period, the sonata pairs instrumental soloists or singers with pianists in an intimate dialogue. Join us for a Sonatenabend to experience this enduring form, beloved for its expressiveness and lasting inspiration. Program details to be announced.

Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

Described by The New York Times as “the new face of classical music for New York,” Ensemble Connect prepares the next generation of musician-leaders through performance, education, and community engagement. Join them for a dynamic evening of chamber music.

Watch the performance on this page at the scheduled date and time. This performance won’t be available to stream afterward on demand.

Juilliard Drama Presents The Moors

Written by Jen Silverman (Playwrights ’15)
Directed by Gaye Taylor Upchurch

In an ancient mansion on the savage English moors, Agatha crochets while her sister, Huldey, hopes for fame. A mastiff searches for God, and the scullery maid watches it all unfold. When a new governess arrives from London to care for the young master of the house, matters spiral out of control. Jen Silverman’s The Moors is a gothic comedy about power, longing, and how we fill our days.

You’re invited to observe as violist and composer Garth Knox coaches Juilliard students. Knox’s vast musical appetite encompasses contemporary music, Celtic roots, and, more recently, baroque and medieval music. Knox was a member of Ensemble InterContemporain and the Arditti String Quartet. As a soloist and composer, he continues to explore the range and possibilities of the viola and its period-instrument cousin, the viola d'amore.

Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

Juilliard Drama Presents The Moors

Written by Jen Silverman (Playwrights ’15)
Directed by Gaye Taylor Upchurch

In an ancient mansion on the savage English moors, Agatha crochets while her sister, Huldey, hopes for fame. A mastiff searches for God, and the scullery maid watches it all unfold. When a new governess arrives from London to care for the young master of the house, matters spiral out of control. Jen Silverman’s The Moors is a gothic comedy about power, longing, and how we fill our days.

The next generation of great artists showcase their passion and artistry in more than 200 free performances each year. Discover performances of orchestral, choral, chamber, opera, and solo repertoire.

Check Juilliard Event Calendar for weekly lineup.

Juilliard Drama Presents The Moors

Written by Jen Silverman (Playwrights ’15)
Directed by Gaye Taylor Upchurch

In an ancient mansion on the savage English moors, Agatha crochets while her sister, Huldey, hopes for fame. A mastiff searches for God, and the scullery maid watches it all unfold. When a new governess arrives from London to care for the young master of the house, matters spiral out of control. Jen Silverman’s The Moors is a gothic comedy about power, longing, and how we fill our days.

John Matsumoto Giampietro directs Juilliard Opera’s production of two short Italian comedic love stories composed more than a century apart. Rossini’s La scala di seta (“Silken Ladder”) is a one-act farsa comica, a genre of opera that showcases both the performers’ physical comedy and singing skills. It features an overture that has become a staple in concert halls and a romantic entanglement that leads to hilarious misunderstandings.

Nino Rota's one-act radio opera I due timidi ("The Two Timid Ones") also features sitcom-esque circumstances. Rota, who is best known as composer of The Godfather theme, offers beautiful operatic melodies for the soloist cast of this production, accompanied by the Juilliard Orchestra conducted by Patrick Furrer.

Patrick Furrer, Conductor
John Matsumoto Giampietro, Director
With the Juilliard Orchestra

The Cast
Rossini's La scala di seta
Giulia: Adriana Stepien
Dorvil: Nathan Romportl
Germano: Woosik Nam
Blansac: Minghang Wang
Lucilla: Samone
Dormont: Tong Zhang

Rota's I due timidi
Il Narratore: Will (June Young) Kim
Mariuccia: Alison Kessler
Raimondo: Chester Seungyup Han
La Signora Guidotti: Sophia Pelekasis
Il Dottore Sinisgalli: Tong Zhang
La Madre di Mariuccia: Eloise Fox
Vittorio: Minghang Wang
Lucia: Jihye Jang
Maria: Jamila Drecker-Waxman
Lisa: Dasha Tereshchenko
Un Pensionante: Andrew Gellen

Juilliard Drama Presents The Moors

Written by Jen Silverman (Playwrights ’15)
Directed by Gaye Taylor Upchurch

In an ancient mansion on the savage English moors, Agatha crochets while her sister, Huldey, hopes for fame. A mastiff searches for God, and the scullery maid watches it all unfold. When a new governess arrives from London to care for the young master of the house, matters spiral out of control. Jen Silverman’s The Moors is a gothic comedy about power, longing, and how we fill our days.

Juilliard Drama Presents The Moors

Written by Jen Silverman (Playwrights ’15)
Directed by Gaye Taylor Upchurch

In an ancient mansion on the savage English moors, Agatha crochets while her sister, Huldey, hopes for fame. A mastiff searches for God, and the scullery maid watches it all unfold. When a new governess arrives from London to care for the young master of the house, matters spiral out of control. Jen Silverman’s The Moors is a gothic comedy about power, longing, and how we fill our days.

Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

John Matsumoto Giampietro directs Juilliard Opera’s production of two short Italian comedic love stories composed more than a century apart. Rossini’s La scala di seta (“Silken Ladder”) is a one-act farsa comica, a genre of opera that showcases both the performers’ physical comedy and singing skills. It features an overture that has become a staple in concert halls and a romantic entanglement that leads to hilarious misunderstandings.

Nino Rota's one-act radio opera I due timidi ("The Two Timid Ones") also features sitcom-esque circumstances. Rota, who is best known as composer of The Godfather theme, offers beautiful operatic melodies for the soloist cast of this production, accompanied by the Juilliard Orchestra conducted by Patrick Furrer.

Patrick Furrer, Conductor
John Matsumoto Giampietro, Director
With the Juilliard Orchestra

The Cast
Rossini's La scala di seta
Giulia: Adriana Stepien
Dorvil: Nathan Romportl
Germano: Woosik Nam
Blansac: Minghang Wang
Lucilla: Samone
Dormont: Tong Zhang

Rota's I due timidi
Il Narratore: Will (June Young) Kim
Mariuccia: Alison Kessler
Raimondo: Chester Seungyup Han
La Signora Guidotti: Sophia Pelekasis
Il Dottore Sinisgalli: Tong Zhang
La Madre di Mariuccia: Eloise Fox
Vittorio: Minghang Wang
Lucia: Jihye Jang
Maria: Jamila Drecker-Waxman
Lisa: Dasha Tereshchenko
Un Pensionante: Andrew Gellen

Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

John Matsumoto Giampietro directs Juilliard Opera’s production of two short Italian comedic love stories composed more than a century apart. Rossini’s La scala di seta (“Silken Ladder”) is a one-act farsa comica, a genre of opera that showcases both the performers’ physical comedy and singing skills. It features an overture that has become a staple in concert halls and a romantic entanglement that leads to hilarious misunderstandings.

Nino Rota's one-act radio opera I due timidi ("The Two Timid Ones") also features sitcom-esque circumstances. Rota, who is best known as composer of The Godfather theme, offers beautiful operatic melodies for the soloist cast of this production, accompanied by the Juilliard Orchestra conducted by Patrick Furrer.

Patrick Furrer, Conductor
John Matsumoto Giampietro, Director
With the Juilliard Orchestra

The Cast
Rossini's La scala di seta
Giulia: Adriana Stepien
Dorvil: Nathan Romportl
Germano: Woosik Nam
Blansac: Minghang Wang
Lucilla: Samone
Dormont: Tong Zhang

Rota's I due timidi
Il Narratore: Will (June Young) Kim
Mariuccia: Alison Kessler
Raimondo: Chester Seungyup Han
La Signora Guidotti: Sophia Pelekasis
Il Dottore Sinisgalli: Tong Zhang
La Madre di Mariuccia: Eloise Fox
Vittorio: Minghang Wang
Lucia: Jihye Jang
Maria: Jamila Drecker-Waxman
Lisa: Dasha Tereshchenko
Un Pensionante: Andrew Gellen

Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

Rooted in a signature Juilliard course, six choreography students are paired with six composition students. This convergence of creative energy and vision results in original, collaborative works performed live by music and dance students.

Rooted in a signature Juilliard course, six choreography students are paired with six composition students. This convergence of creative energy and vision results in original, collaborative works performed live by music and dance students.

The next generation of great artists showcase their passion and artistry in more than 200 free performances each year. Discover performances of orchestral, choral, chamber, opera, and solo repertoire.

Check Juilliard Event Calendar for weekly lineup.

Rooted in a signature Juilliard course, six choreography students are paired with six composition students. This convergence of creative energy and vision results in original, collaborative works performed live by music and dance students.

Rooted in a signature Juilliard course, six choreography students are paired with six composition students. This convergence of creative energy and vision results in original, collaborative works performed live by music and dance students.

Rooted in a signature Juilliard course, six choreography students are paired with six composition students. This convergence of creative energy and vision results in original, collaborative works performed live by music and dance students.

Students from Juilliard’s Collaborative Piano department and singers from the Ellen and James S. Marcus Institute for Vocal Arts join forces with Opera Rara to bring newly rediscovered musical treasures to life. Dedicated to restoring, recording, performing, and championing overlooked works from the 19th and early 20th centuries, Opera Rara joins Juilliard artists in presenting the U.S. premieres of rarely heard repertoire.

Curated and coached by Brian Zeger, Pierre Vallet, Carlo Rizzi, and Michael Spyres

Melissa Joseph, Soprano, and Kiia Nordlund, Piano
Shiyu Zhuo, Soprano, and Chris Yao, Piano
Tivoli Treloar, Mezzo-Soprano, and Matteo Generani, Piano
Zhongjiancheng Deng, Tenor, and Youngsu Cho, Piano
Dominic Townsend, Baritone, and Vivian Fan, Piano
Owen Kilgore, Bass, and Ina Jun, Piano

Watch the performance on this page at the scheduled date and time. This performance won’t be available to stream afterward on demand.

Juilliard Station, the new venue just off the 66th Street 1 train subway stop at Broadway, gives New Yorkers and other passersby an opportunity to step away for free music, dance, drama, talks, and master classes. The intimate, glass-walled studio fuses the daily rhythm of New York City with glimpses of the artistry cultivated within Juilliard’s halls. 

The Station offers inspiring, 45-minute lunchtime and evening rush hour performances and other events—serving as a gateway to the iconic Lincoln Center campus. 

After last season’s launch, Juilliard Station quickly became a highly in-demand ticket. Except, there are no tickets. Performances are all free, open to all ages, and first come, first served.  

An American invention, the blues has influenced 20th-century folk, popular, and fine art music. The sound and form of the blues are also key elements of jazz, heard in the church, on the street, in the concert hall, and in quiet contemplation. Contrary to popular misconception, while “the blues as such” speaks of melancholy, “blues as music” offers an optimistic and heroic assertion: Things will get better. This concert celebrates that sound, form, and ethos in its many variations. Juilliard Jazz Ensembles honor that enduring legacy in The Sound of the Blues: Sacred and Secular.

Duke Ellington Ensemble
Ben Wolfe, Coach

Anisha Rush, Alto Saxophone
Dylan Band, Tenor Saxophone
William Hill III, Piano
Stanley Ruvinov, Bass
Luke Woodle, Drums

Jelly Roll Morton Ensemble
Doug Wamble, Coach

Kristian Greene, Tenor Saxophone
Mejedi Owusu, Trumpet
Estes Cantarero-George, Trombone
Desmond Diehl, Guitar
Roman Goron, Piano
Mike Figge, Bass
Joseph Fielder, Drums

Join us for a conversation with four scholars of Latinx art and culture who are expanding the art historical canon and traditional aesthetics through innovative methodologies. The panel is convened on the occasion of the publication of new books in the field of Latinx art history and visual studies in which the authors center previously marginalized voices and non-traditional archives in their creative, interdisciplinary scholarship. Speakers include Josh T. Franco, Robb Henández, and Kency Cornejo, and Arlene Dávila moderates the conversation.

This event is co-presented by The Latinx Project and Whitney Museum of American Art. It is the second program in The Latinx Project’s ongoing series highlighting new scholarship in the field of Latinx Studies.

Speakers 

Arlene Dávila is a Professor of Anthropology and American Studies at New York University. She’s the author of multiple books on Latinx visual culture, most recently, Visualizing Latinx: Creative Practices in Fashion, Film, and Beyond, published by Duke University Press. She is the Founding Director of The Latinx Project at NYU.

Josh T Franco, PhD, is an artist, art historian, and Executive Director of the US Latinx Art Forum. His primary medium is the discipline of art history itself. Using performance and a variety of materials, he transforms the components of being an art historian—reading, writing, annotating, sketching, lecturing, looking, museum-going, archival research, and so on—into artworks appropriate for museum-going audiences. His book, Marfa, Marfa: Rasquachismo and Minimalism in Far West Texas was published by Duke University Press and supported by a Terra Foundation for American Art Publication Grant. 

Robb Hernández is Professor of English at Fordham University, where he directs the Fashion Studies Minor. Recent publications include Transplanetary Americas: Art, Outer Space, and the Latinx Imagination from Duke University Press and Archiving an Epidemic: Art, AIDS and the Queer Chicanx Avant-Garde from NYU Press. He is the curator of the exhibition The Chicano Manual of Style: Fashion in Paper and Print scheduled to open at Print Center New York in 2027. 

Kency Cornejo is an art historian of contemporary art and activism in the Americas, currently serving as Associate Professor in the Department of Chicana/o & Central American Studies at the University of California, Los Angeles (UCLA). In 2024, she published the critically acclaimed book Visual Disobedience: Art and Decoloniality in Central America from Duke University Press.